All over the world communities have different ways of commemorating their dead.
Some towns honour their fallen by erecting statues. Others have plaques, busts, eternal flames, or named buildings.
Thinking about this made me wonder what the best way would be for Venice to commemorate a modern-day hero or heroine.
How about building a bridge in their honour?
Seems fitting, no?
After all, Venice is the bridge capital of the world, with 400-odd of them spread around the city.
So, as probably the only person in the world (apart from Adeline, my partner) to walk across one hundred bridges in Venice in one day, I was particularly pleased when Venice announced recently that the city will be erecting a new bridge in honour of Valeria Solesin, the Italian student and Venetian who was shot and killed during the Bataclan attack in Paris.
Valeria's funeral in Venice took place on St Mark's Square, in what must be the first funeral to be held in that famous square in a while. The bridge, scheduled to be completed in 2017, will be known as the Valeria Solesin Bridge. Below is a CGI graphic representation of what the bridge will look like.
Given the circumstances in which the bridge will be constructed, I doubt whether the sort of raucous public debate that surrounded the design of the snazzy, modernist Calatrava bridge will ensue here. Certainly, it doesn't look like Valeria's bridge will be in keeping with the typical historical style of existing bridges in Venice.
But then, this is the twenty-first century, and the bridge is honouring a young Italian student, so in that sense the design is perfectly fitting. Of course, having her name attached to a Venetian bridge puts Valeria in quite rare company. Many of its neighbouring bridges have been named after Doges, saints, and famous Venetian residents.
I think Valeria is thrilled, wherever she is.
UPDATE: The Valeria Solani bridge was officially opened in May this year. It's in Ferrovia near the rail station, and connects the station and the economic campus of the Ca'Foscari University. We'll be sure to visit it when we're in Venice in November.
When visiting Venice runs in the family
Tomorrow is the funeral of Adeline's grandmother. Her death wasn't a surprise - she'd recently turned 93 - but it's still a great loss. She was a cheerful, grand lady, and I can still hear her standard response when we asked how she was - "All the better for seeing you, dear!" she'd smile, sitting in the sun on the verandah of the old age home where she stayed.
I'll miss her, particularly because, like me and Adeline, she loved to travel. When she heard we'd been to Venice and loved it there, she gave us a photo that ever since has been hanging in our house.
She and her husband had spent three weeks in 1956 travelling in Europe, and among other, they'd visited wonderful Venice. And, like tourists still do today, they'd taken a gondola ride.
It's a special photo to us. I'm a little sorry that there's no bridge visible in the photo, because that means I would have been able to pinpoint exactly where the photo was taken, and perhaps visit the spot to see how it's changed, and perhaps we could do a reprise photo. Wouldn't that be nice?
A picturesque little bridge we missed...
Every Venetophile worth their salt knows there are more than four hundred bridges in Venice crisscrossing the city's labyrinth of scenic canals. Let me say that again: FOUR HUNDRED BRIDGES. Stone ones, brick ones, old ones, new ones. On the 100 Venice Bridges Challenge we visited, well, one hundred of them, so therefore there are more than three times as many bridges in La Serenissima that we 'missed'.
We'll leave the obvious question, 'When are you going to do the next three Bridge Challenges to cover the rest?' aside for the moment. I mean, we're still recovering from that little 1000 kilometer walk we did a while ago.
On the Challenge we did try to include the most scenic bridges in Venice. We were at the Rialto, the Calatrava, the Scalzi and the Accademia, the four bridges that span the Grand Canal. All the bridges had something or other that made them special.
But there is a bridge that springs to mind, that I'm rather sorry we didn't, or couldn't, include.
This bridge is located on the island of Torcello, a longish vaporetto ride away from Venice itself. This sleepy little island is where the story of Venice began, shortly after the fall of Rome. It has a well-restored cathedral dating from the year 639, which is its present claim to fame. But in pre-medieval times Torcello was a bustling trading port when Venice was still nothing more than a swampy mass. Gradually the harbour and surrounding areas silted up, and a malaria mosquito infestation and other factors gradually reduced the island's population of thousands to a dozen or so today.
Torcello is also known for the Ponte del Diavolo, or Devil's Bridge, one of only two Venetian bridges that don't have hand rails of any sort. During the Challenge we did pay a visit to the Ponte Chiodo, the other 'blank' bridge.
The Devil's bridge is well-restored, neat and tidy. There are few buildings on the banks of the canal it crosses, giving it a wonderfully pastoral ambience in a garden setting.
Perhaps, in general, it'll be good idea to broaden the challenge next time and include bridges on the many other inhabited islands such as Murano, Burano and Sant'Erasmo in the Venice lagoon. Could be fun, because some of the islands are very, very different from Venice, the tourist hub.
For the full story of the 100 Bridges Challenge, why not download the eBook now from Amazon? It's a mere five Dollars, and helps to pay the website bill!
We'll leave the obvious question, 'When are you going to do the next three Bridge Challenges to cover the rest?' aside for the moment. I mean, we're still recovering from that little 1000 kilometer walk we did a while ago.
On the Challenge we did try to include the most scenic bridges in Venice. We were at the Rialto, the Calatrava, the Scalzi and the Accademia, the four bridges that span the Grand Canal. All the bridges had something or other that made them special.
But there is a bridge that springs to mind, that I'm rather sorry we didn't, or couldn't, include.
This bridge is located on the island of Torcello, a longish vaporetto ride away from Venice itself. This sleepy little island is where the story of Venice began, shortly after the fall of Rome. It has a well-restored cathedral dating from the year 639, which is its present claim to fame. But in pre-medieval times Torcello was a bustling trading port when Venice was still nothing more than a swampy mass. Gradually the harbour and surrounding areas silted up, and a malaria mosquito infestation and other factors gradually reduced the island's population of thousands to a dozen or so today.
Torcello is also known for the Ponte del Diavolo, or Devil's Bridge, one of only two Venetian bridges that don't have hand rails of any sort. During the Challenge we did pay a visit to the Ponte Chiodo, the other 'blank' bridge.
The Devil's bridge is well-restored, neat and tidy. There are few buildings on the banks of the canal it crosses, giving it a wonderfully pastoral ambience in a garden setting.
Perhaps, in general, it'll be good idea to broaden the challenge next time and include bridges on the many other inhabited islands such as Murano, Burano and Sant'Erasmo in the Venice lagoon. Could be fun, because some of the islands are very, very different from Venice, the tourist hub.
*********
For the full story of the 100 Bridges Challenge, why not download the eBook now from Amazon? It's a mere five Dollars, and helps to pay the website bill!
And so we headed home after completing the 100 Venice Bridges Challenge...
On the vaporetto home I thought about the bridges and just how much history they held, both told and untold. Each bridge represented the history of a person, or a neighbourhood, or something the people of Venice once cared about. Woven together they told the tale of a city that once was a world power, and then slowly over the course of a few hundred years waned in importance as a trading centre. Yet it never lost its power as a historical, cultural and art centrepiece, and today convinced me of the importance of the bridges in maintaining that heritage.
But the bridges also taught me a great deal about contemporary Venice. When people speak of a city overrun by tourists, they're really referring only to a relatively small part of Venice. For the most part it consists of neighbourhoods almost totally ignored by tourists, where life goes on much like in other cities. But in the areas that do carry heavy loads of people traffic, there were clear signs of the infrastructure coming dangerously close to faltering.
Most importantly I disagree with the notion that Venice is a 'living museum'. It's a city that's alive, and while it derives most of its income from tourism, and many of its features are world famous tourist attractions, it's also a proud community of citizens that still call it home. Indeed, many of them have done so for hundreds of years. Who are we, as outsiders then to call their city a museum? It's much, much more than that, if we'd only take the time to take a peek beyond the cover of the guidebook version of Venice.
But the bridges also taught me a great deal about contemporary Venice. When people speak of a city overrun by tourists, they're really referring only to a relatively small part of Venice. For the most part it consists of neighbourhoods almost totally ignored by tourists, where life goes on much like in other cities. But in the areas that do carry heavy loads of people traffic, there were clear signs of the infrastructure coming dangerously close to faltering.
Most importantly I disagree with the notion that Venice is a 'living museum'. It's a city that's alive, and while it derives most of its income from tourism, and many of its features are world famous tourist attractions, it's also a proud community of citizens that still call it home. Indeed, many of them have done so for hundreds of years. Who are we, as outsiders then to call their city a museum? It's much, much more than that, if we'd only take the time to take a peek beyond the cover of the guidebook version of Venice.
The Bridges e-book is now in the Amazon Kindle Store!
To celebrate the final chapter of the One Hundred Bridges Challenge, I've published the story of the Challenge in an eBook you can now buy on the Amazon Kindle Store! The stories of all 100 bridges plus a bonus or two are in there, plus the photos I took along the way!
Whether you read books on Kindle, iPad, or any of the myriad of smartphones and Android devices about there, the eBook fits them all.
So if you have five dollars or so to spare, click or to the Amazon Kindle Store and get yourself a copy.
Whether you read books on Kindle, iPad, or any of the myriad of smartphones and Android devices about there, the eBook fits them all.
So if you have five dollars or so to spare, click or to the Amazon Kindle Store and get yourself a copy.
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