We exit the square and make our way to the next bridge, the Ponte dell'Accademia dei Pittori located just behind the busy San Marco vaporetto stop. On the way we passed the legendary Harry's Bar with its €30 cocktails; countless sidewalk souvenir stands claiming to sell authentic Venetian masks for seven Euro a piece; and stands selling sepia photographs and pretty little portraits all depicting the same dozen standard scenic views that have made Venice famous. To call Venice tourism mostly cliché is not an overstatement. While the majority of Venice's streets and alleys are authentic, the twenty percent of Venice where eighty percent of the tourists remain during their visit (which includes the area we're in right now) is a sordid marketplace for the seedy and mundane. Sometimes it feels like the city is desperately, desperately clinging to that last straw that makes its existence worthwhile - the gullible tourist.
Nevertheless, there we were on top of the Ponte dell'Accademia's narrow stone landing, shielding our eyes from the sun while peering out over the lagoon to where the island of Giudecca's waterfront row of palaces and churches drew a thin line across the horizon. The Ponte dell'Accademia's name refers to an art school that was once nearby, which was apparently attended by quite a number of Venetian artists who became famous in their lifetimes.
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ReplyDeleteThis should be called Ponte dell'Accademia dei Pittori to distinguish it from the more famous Accademia bridge over the Grand Canal. Andrew
ReplyDeleteThanks, quite right. I've updated the bridge name. Ihave it right in the e-book, must've been a blog gremlin that slipped in.
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